WELL Rose and I watched two most magnificent Melanesian films last year and both brought us to tears, so I reckon it's time for a short review.
The first was Mr Pip (yes, it came out three years ago but better late than never) starring Hugh Laurie and Bougainville actors Eka Darville, Xzannjah Matsi and Healesville Joel.
It is based on the novel by New Zealand writer Lloyd Jones and is set in Bougainville during the civil war in the 1990s. The film is marvellously shot and acted and the music is by Tim Finn of the band Crowded House.
Its underlying theme is the power of writing to empower and influence people, in this case Charles Dicken’s novel Great Expectations. This is a theme familiar to many PNG Attitude readers. However, in Mr Pip, the inability of some people to distinguish between fiction and reality leads to bloody and violent consequences.
The film is moving and uplifting but has a too much overt violence for our tastes. Nevertheless it is well worth watching.
The story tells of Mr Watts, the last Englishman remaining in a tropical village in Bougainville during the war. He begins to teach the local children by reading them Great Expectations. Matilda, an imaginative young girl (played by newcomer Xzannjah), is transported into the story of the novel, believing that Dickens' character Pip is her friend.
Matilda's "Pip" world is an extraordinary fusion of Dickens' Victorian London with the environment and people she knows on the island. This wildly imaginative hybrid place is set alongside the film's unflinching portrayal of the horrors of war.
Matilda's passion for storytelling brings terror to the village when Pip's identity is misunderstood by the invading army. Ultimately, her courage and imagination must sustain her if she is to survive.
The second film to grab our imagination, and I think the better of the two, is Tanna, the first feature film to be shot entirely on location in Vanuatu and featuring exclusively Vanuatuan actors. It is based on local tribal stories and most of the cast played their own roles in the film.
"The chief played the chief, the medicine man played the medicine man, the warriors played the warriors," stated the film's cultural director, Jimmy Joseph Nako. The film is shot in the Navhal and Nafe languages with English subtitles.
It is basically a Melanesian Romeo and Juliet story with a background of tribal fighting, ancient superstitions and star-crossed lovers who fall foul of the conflict.
Tanna is one of the best films I have seen in a long time, and unlike Mr Pip, ends on a note of reconciliation as the deaths of the two young lovers lead the tribes to recognise that violence and payback are a dead-end that will destroy their futures.
Both films won awards, but have not been widely released. With the help of a library and the internet I'm sure you can find a means to see them. Both films are highly recommended and perhaps this is a foretaste of a Melanesian film renaissance.